Frank from (asdsds@sdsdadadsa.com), you should know that I am open for any critique or compliment, so feel free to write whatever you feel like, no need to hide…
La Dra, I cant tell you, Leica 24 or 28/2.8 asph. Elmarit
Gottfried Says: January 24th, 2010 at 06:37
Werter Herr Frank, ihnen empfehle ich eine neue Brille. Diese würde ihnen nicht nur helfen, die Fotos besser zu erkennen, sondern auch ihre Email Adresse korrekt einzugeben.
Herr Rohner, lassen sie sich in ihrer Arbeit nicht von Herrn Frank verunsichern. Mein Freund Peter meint das ebenso.
Habe die Ehre, Gottfried
I love this! And also Frank’s critique, which personally I found funny, although I know he means this with a ‘classical’ composition in mind: the space on the left is what gives the image tension; and the man on the right, whether distorted or not, with his broad white tunic is a perfect juxtaposition to the dark group in the center.
Always such great images!
January 21st, 2010 at 21:46
great picture, and great access to the people
January 21st, 2010 at 22:18
Stefan, great shot. Could it be possible to know which lens are you using on it?
January 22nd, 2010 at 10:43
i disagree. poor shot. the angle of view is bad, look at the distorted guy on the right and the unnecessary space on the left.
January 22nd, 2010 at 13:43
Frank from (asdsds@sdsdadadsa.com), you should know that I am open for any critique or compliment, so feel free to write whatever you feel like, no need to hide…
La Dra, I cant tell you, Leica 24 or 28/2.8 asph. Elmarit
January 24th, 2010 at 06:37
Werter Herr Frank, ihnen empfehle ich eine neue Brille. Diese würde ihnen nicht nur helfen, die Fotos besser zu erkennen, sondern auch ihre Email Adresse korrekt einzugeben.
Herr Rohner, lassen sie sich in ihrer Arbeit nicht von Herrn Frank verunsichern. Mein Freund Peter meint das ebenso.
Habe die Ehre, Gottfried
January 24th, 2010 at 17:44
the dynamic range, cool;-)
February 14th, 2010 at 20:29
I love this! And also Frank’s critique, which personally I found funny, although I know he means this with a ‘classical’ composition in mind: the space on the left is what gives the image tension; and the man on the right, whether distorted or not, with his broad white tunic is a perfect juxtaposition to the dark group in the center.
Always such great images!